Samson PL1602 Specifikace

8Guided Tour - Rear Panel5: Mic inputs (channels 1 and 3) - Use these electronically balanced XLR jacksto connect a microphone to channels 1 and/or c

9Connecting The PL 1602 - General SuggestionsThe actual connections you’ll make to and from the PL 1602 will vary accordingto the environment you use

10• Matched signals (i.e. the stereo left-right outputs of a keyboard, drummachine, tone generator, effects processor, CD player, or tape recorder),sh

11Setting up your PL 1602 is a simple procedure which takes only a few minutes:1. Remove all packing materials (save them in case of need for future

-40+40-10TRIM-40+40-10TRIM12You’re now ready to establish the correct gain structure—the key to getting thebest performance from the PL 1602, or from

13Setting the Correct Gain Structurej. If you have any outboard signal processors connected to the Aux send andreturn jacks on the rear panel, follow

14Grounding TechniquesHum and buzz are the biggest enemies you face when interconnecting a largenumber of different pieces of equipment to a central a

15Grounding TechniquesIf you’re using the PL 1602 in a fixed location such as a recording studio, youmay want to invest the time and money into creati

16Using the Balance ControlThe final Main output of the PL 1602 is stereo—that is, there are two discreteMain output jacks, labeled “left” and “right,

17Using EqualizationOne of the most exciting aspects of using a mixer such as the PL 1602 is theability to shape a sound, using a process called equal

Introduction 1System Features 2Guided Tour 3Overview 3Channels 4Main Section 5Rear Panel 7Connecting The PL 1602 - General Suggestions 9Settin

18Using Aux Sends and ReturnsThe PL 1602’s two Auxiliary sends allow you to combine the signal from multiplechannels and send the resulting mix to ext

19Using Channel InsertsIn addition to using Auxiliary sends and returns to access outboard devices, thePL 1602 also provides channel inserts for the f

20ApplicationsHere are four suggested applications for the PL 1602; bear in mind that your particular circumstance may dictatechanges in these suggest

21Application 2 - Using The PL 1602 As An Onstage Monitor MixerHere, the PL 1602 is receiving monophonic signal into its line inputs from the direct c

22Application 3 - Using The PL 1602 As A Keyboard SubmixerHere, various keyboards and MIDI tone generators are connected to the channel line inputs of

ApplicationsApplication 4 - Linking The PL 1602 With Other Mixers The provision of rear-panel Bus Inserts makes it easy to link multiple PL 1602s or t

Appendix A: Block Diagram24MIC 1H.A.H.A.B.A.H.A.-+-+-50dBu - +4dBuLEVELHIGHHIGHLOWLOWBALANCEAUX 2RCHANNEL 3/4CHANNEL 9/10CHANNEL 11/12CHANNEL 13/14C

Appendix B: Changing the PL 1602 Voltage25Following are step-by-step instructions for changing the mains voltage of the PL 1602. NOTE: The voltage ra

26Specifications1. Frequency Response (Unity) 20 Hz to 20 kHz ± 1 dB2. THD+N (unity gain, 20 Hz - 20 kHz) Less than 0.05 %3. Maximum Gain (Mic in t

IntroductionCongratulations on purchasing the Samson PL 1602 stereo mixer! Although thisunit is designed for easy operation, we suggest you first tak

System Features“PL” stands for “Program/Line” and the name describes the broad range ofsignals which can be handled by this powerful stereo mixer. In

Guided Tour - Overview The following illustration shows an overview of the front panel of the PL 1602:3SAMSON-15+150-15+15HIGH0∞AUX 1L+100LOW∞ +10LEVE

Guided Tour - Channels1: Equalizer (white) - These knobs determine the amount of boost or attenuation in eachof two frequency areas. The high and lo

5Guided Tour - Main Section1: Stereo Auxiliary Return Level (blue) - These knobs determine the inputlevel of signal arriving via the PL 1602’s two st

6Guided Tour - Main Section4: Headphone jack - Connect any standard stereo headphones to this jack (viaa 1/4" TRS plug) for private monitoring o

Guided Tour - Rear Panel1. Fuse sled - This contains a fuse holder and shows the currently selectedvoltage rating for your PL 1602. Make sure the vo